• These Photos Will Move Your Heart

    Written by PETA

    4 Comments

    Sculptures, paintings, and photography can move hearts and minds. I think the following images by Nicholas Wickstrom, which explore the link between animal liberation and human liberation, tie in seamlessly with PETA's Animal Liberation Project:

     

    Caged animals as depicted by Nick Wickstrom

     

    Skinned animals as depicted by Nick Wickstrom

     

    Chained dogs as depicted by Nick Wickstrom

     

    Animal testing as depicted by Nick Wickstrom

     

    Dogfighting as depicted by Nick Wickstrom

     

    Thoughts?

    Written by Karin Bennett

  • College Boys Coming Up Short in Their Shorts?

    Written by PETA

    0 Comments
    ldsc49_0702 - Drift fishing the upper Madison River, Madison County, Montana.

     

    The University of Alabama at Birmingham is the first of several colleges whose president has been asked by PETA to eliminate the school's fishing team. We know what you're asking yourself: "There are actually enough boys on several college campuses trying to compensate for their below-the-belt shortcomings to start fishing teams?" Of course, they must be compensating for something. After all, why else would they participate in a "sport" in which you handle a long rod and take out your aggressions on animals who are about a hundredth of your size—in this case by tearing through their mouths with hooks and watching them thrash about and slowly suffocate, just as you would if you were in their element?

    Wondering how you measure up when it comes to rod vs. rod? Take this 10-second online poll to find out.

    Written by Joe Taksel

  • Damien Hirst Trades Dead Animals for Paint

    Written by PETA

    9 Comments
    dailymail / CC
    Damien Hirst

     

    British artist Damien Hirst—known for his series of "art" installations featuring dead (and yes, sometimes dissected) animals preserved in formaldehyde—has reportedly hung up his canning supplies in favor of a paintbrush.

    Apparently Hirst has spent the last three years painting in a shed behind his house. He says he had to relearn to paint for the first time since he was an art student, and the paintings were, at first, "embarrassing," and he "didn't want anyone to come in."

    It looks like reconnecting with art in its pure form, instead of focusing on shock art that exploits animals and treats their bodies as amusements, has made Damien rethink the direction his career has taken. You've got to wonder why the man wasn't as embarrassed by his past work …

    Here's hoping that Damien will stick to this new oeuvre.

     

     

    Written by Amanda Schinke

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